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Analysis of institutional authors

Rosado-García M.j.AuthorRosado-García MjAuthorGarcia-Garcia MjAuthor

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February 6, 2023
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ENGINEERING AS A COMMON TERRITORY OF ART, SCIENCE, AND TECHNOLOGY. A PHENOMENOLOGICAL RESPONSE

Publicated to:Arbor. 198 (806): a684- - 2022-12-01 198(806), DOI: 10.3989/arbor.2022.806014

Authors: Rosado-García, MJ; García-García, MJ

Affiliations

Univ Politecn Madrid, Madrid, Spain - Author
Universidad Politécnica de Madrid - Author

Abstract

This article reviews what is currently understood as science, art and technology in order to show how modern en-gineering, and in particular civil engineering, is a compendium of all three components, this being the necessary means for the social and environmental sustainability required today. Engineering deals with problems and follows a method, which is not exclusively scientific. It needs close contact with art and the engineer must have humanistic training, with a significant human content, which protects him from excessive technicality, given that he moves in the environment of the real, not the laboratory. The bibliographical and documentary research into the history of the different concepts allows us to think about engineering from a philosophical point of view. This study aims to propose that the perspective known as CATI3 (Ciencia (science), Arte (art), Tecnología (technology) and Ingeniería (engineering)) should be the vehicle to draw closer to the concept of engineering and to interpret its relations with technology, art and science in its pro-jection toward society.

Keywords

arteducationengineeringphilosophytechnologyArtEngineeringPhilosophyScienceTechnology

Quality index

Bibliometric impact. Analysis of the contribution and dissemination channel

The work has been published in the journal Arbor due to its progression and the good impact it has achieved in recent years, according to the agency Scopus (SJR), it has become a reference in its field. In the year of publication of the work, 2022, it was in position , thus managing to position itself as a Q2 (Segundo Cuartil), in the category Cultural Studies.

From a relative perspective, and based on the normalized impact indicator calculated from the Field Citation Ratio (FCR) of the Dimensions source, it yields a value of: 4.2, which indicates that, compared to works in the same discipline and in the same year of publication, it ranks as a work cited above average. (source consulted: Dimensions Jul 2025)

Specifically, and according to different indexing agencies, this work has accumulated citations as of 2025-07-06, the following number of citations:

  • WoS: 1
  • Scopus: 2

Impact and social visibility

From the perspective of influence or social adoption, and based on metrics associated with mentions and interactions provided by agencies specializing in calculating the so-called "Alternative or Social Metrics," we can highlight as of 2025-07-06:

  • The use of this contribution in bookmarks, code forks, additions to favorite lists for recurrent reading, as well as general views, indicates that someone is using the publication as a basis for their current work. This may be a notable indicator of future more formal and academic citations. This claim is supported by the result of the "Capture" indicator, which yields a total of: 13 (PlumX).

It is essential to present evidence supporting full alignment with institutional principles and guidelines on Open Science and the Conservation and Dissemination of Intellectual Heritage. A clear example of this is:

  • The work has been submitted to a journal whose editorial policy allows open Open Access publication.
  • Additionally, the work has been submitted to a journal classified as Diamond in relation to this type of editorial policy.

Leadership analysis of institutional authors

There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (ROSADO GARCIA, MARIA JESUS) and Last Author (GARCIA ALVAREZ, ANTONIO).