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Cano-Ciborro, VCorresponding AuthorDrawing forces and bodies. A fragmentary genealogy in architectural historiography. École des Beaux-Arts, Marquis de Sade and Siegfried Ebeling
Publicated to:Cuaderno De Notas. (24): 42-53 - 2023-09-01 (24), DOI: 10.20868/cn.2023.5192
Authors: Cano-Ciborro, V
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Abstract
This article aims to shed light on a conception and representation often overlooked in architectural discipline historiography. It focuses not only on forms and objects but also on forces and bodies. For this purpose, a fragmentary genealogy of conflicts between schools, traditions, and architects is proposed. This genealogy will reveal how the technical rationality of the drawings at the ecole Polytechnique de Paris contrasted with the imagery of the ecole des Beaux-Arts in the eighteenth century. It will also explore how the dogmas of the Enlightenment were challenged by a Masonic architecture, seeking bodies and debauchery, as exemplified by the stories of the Marquis de Sade. Additionally, it will delve into how the abstract modernist diagram led by Le Corbusier was disrupted by the atmospheric energies, membranes, and sensitive bodies conceived by Siegfried Ebeling.
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Bibliometric impact. Analysis of the contribution and dissemination channel
The work has been published in the journal Cuaderno De Notas, Q4 Agency Scopus (SJR), its regional focus and specialization in , give it significant recognition in a specific niche of scientific knowledge at an international level.
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Leadership analysis of institutional authors
There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (CANO CIBORRO, VICTOR MANUEL) and Last Author (CANO CIBORRO, VICTOR MANUEL).
the author responsible for correspondence tasks has been CANO CIBORRO, VICTOR MANUEL.