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Analysis of institutional authors

José Ygnacio Pastor Caño Y Amador Miguel González CrespoAuthorPastor Cano, Jose YgnacioAuthor or co-author of article in journal with external admissions assessment committee

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October 7, 2025
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Article

El número de Dios o el cuerpo como mapa del universo

Publicated to: The Conversation. - 2025-09-23 (), DOI: 10.64628/AAO.4fhqnyh6v

Authors:

José Ygnacio Pastor Caño y Amador Miguel González Crespo
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Keywords

Cambios socialesCienciaCiencia de ingeniería de los materialesInnovaciónMatemáticasTecnología

Quality index

Impact and social visibility

From the perspective of influence or social adoption, and based on metrics associated with mentions and interactions provided by agencies specializing in calculating the so-called "Alternative or Social Metrics," we can highlight as of 2026-04-25:

With a more dissemination-oriented intent and targeting more general audiences, we can observe other more global scores such as:

  • The Total Score from Altmetric: 12.
  • The number of mentions on the social network X (formerly Twitter): 15 (Altmetric).

It is essential to present evidence supporting full alignment with institutional principles and guidelines on Open Science and the Conservation and Dissemination of Intellectual Heritage. A clear example of this is:

  • The work has been submitted to a journal whose editorial policy allows open Open Access publication.
  • Assignment of a Handle/URN as an identifier within the deposit in the Institutional Repository: https://oa.upm.es/91321/

As a result of the publication of the work in the institutional repository, statistical usage data has been obtained that reflects its impact. In terms of dissemination, we can state that, as of

  • Views: 52
  • Downloads: 40
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Leadership analysis of institutional authors

There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: Last Author (PASTOR CAÑO, JOSE YGNACIO ).

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Contextual narrative

El número áureo esta relacionado con la sucesión de Fibonacci (1,1,2,3,5,8,13,21…) la cual se encuentra presente enproporciones de todo tipo, desde proporciones en el arte, la naturaleza en general hasta estructuras arquitectónicas.

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