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Time, Architecture and Domination: The Valley of the Fallen
Publicated to:Heritage And Society. 11 (2): 126-150 - 2018-05-04 11(2), DOI: 10.1080/2159032X.2019.1670534
Authors: Delso R; Amann A; Soriano F
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Abstract
© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. The Valley of the Fallen is the largest fascist monument constructed during Franco's regime. It comprises the largest Civil War cemetery; the corpses of Franco and Primo de Rivera; the tallest Christian cross in the world; a basilica carved out in the mountain; a Benedictine monastery and a 1000 hectares man-made forest. While the Valley’s symbolic conflict in contemporary Spain has been studied extensively, there has been no comprehensive analysis of the monument’s architecture and landscape, and the intentions of its creators. This article shows how every material object in the Valley was created to reinforce the narrative of the “new order.” The location, in the middle of the “royal route,” links Franco’s rule to the history of the Spanish Empire. The structure, calculated to last more than 1000 years, comprises a timeless architecture able to outlive the regime. The carved basilica, filled with thousands of corpses, introduces eternal time. These elements are just some examples of how the promoters of the Valley of the Fallen used time as a design tool in the creation of a site that acts as a totalitarian micro-cosmos of the regime’s ideology. Current debates about the resignification of the Valley and other recent-past monuments could benefit from understanding how the different temporal layers introduced during its creation play an active role in the monument’s meaning over time. Ultimately, the article shows how time could be used to create absolutist designs where their symbolic transformation needs to come together with a material one.
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Quality index
Bibliometric impact. Analysis of the contribution and dissemination channel
The work has been published in the journal Heritage And Society due to its progression and the good impact it has achieved in recent years, according to the agency Scopus (SJR), it has become a reference in its field. In the year of publication of the work, 2018, it was in position , thus managing to position itself as a Q1 (Primer Cuartil), in the category Cultural Studies.
From a relative perspective, and based on the normalized impact indicator calculated from the Field Citation Ratio (FCR) of the Dimensions source, it yields a value of: 6.09, which indicates that, compared to works in the same discipline and in the same year of publication, it ranks as a work cited above average. (source consulted: Dimensions Jul 2025)
Specifically, and according to different indexing agencies, this work has accumulated citations as of 2025-07-29, the following number of citations:
- Scopus: 5
Impact and social visibility
Leadership analysis of institutional authors
There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (DELSO GUTIERREZ, RODRIGO) and Last Author (Soriano F).