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Diez-Martinez, DanielAuthorStadium pop and giant robots: graphic analysis of the stage design of Take That's Progress Live
Publicated to:Ardin : Arte, Diseño E Ingeniería. (14): 181-206 - 2025-01-01 (14), DOI: 10.20868/ardin.2025.14.5430
Authors: Martinez, Daniel Diez; Gonzalez, Lucia Perez
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Abstract
In 2011 Take That broke attendance and box office records with their Progress Live tour. The stage design was the work of Es Devlin, who designed a main stage dominated by a 30- meter-high half-human body sculpture known as "Big Man" and a 21-meter-high mechanical robot that would stand up and open its arms, which she called "Other Man". Despite the popularity of the tour, there are no publicly available plans or technical documentation of the scenography used. This article vindicates the consideration of scenographies as an architectural type in itself, and its main objective and fundamental contribution consists of a complete graphic reconstitution of Devlin's project, unpublished and self-made material, which is used as support for a series of analytical diagrams related to its operation in the service of a stadium concert.
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Bibliometric impact. Analysis of the contribution and dissemination channel
The work has been published in the journal Ardin : Arte, Diseño E Ingeniería due to its progression and the good impact it has achieved in recent years, according to the agency Dialnet (Dialnet Métricas). In the year of publication of the work, 2025, thus managing to position itself as a Q1 (Primer Cuartil).
Impact and social visibility
Leadership analysis of institutional authors
There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (Martinez, Daniel Diez) and Last Author (Gonzalez, Lucia Perez).
the author responsible for correspondence tasks has been Martinez, Daniel Diez.